Some of my favourite poems
I enjoy reading poems and I wanted to share some of my favourite poems.
Sometimes when I'm alone I also write poetry. Paper is very patient and listens for hours! lol You can read some of the poems which I have written by clicking here.
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To jump directly to a poem, click its name in this list on the right: |
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This first one I like, because it speaks of the power of the written word:
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| Shakespeare's Sonnet Number 55
Not marble, nor the guilded monuments,
Of Princes shall out live this powerful rime,
But you shall shine more bright in these contents
Then unswept stone, besmeer'd with sluttish time.
When wastefull warre Statues over-turne,
And broiles roote out the worke of masonry,
Nor Mars his sword, nor warres quick fire shall burne
the living record of your memory.
Gainst death, and all oblivious enmity
Shall you pace forth, your praise shall stil finde room,
Even in the eyes of all posterity
That weare this world out to the ending doome.
So til the judgement that your selfe arise,
You live in this, and dwell in lovers eies. |
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Another sonnet of his I like is number 116 - because... well to my mind people today are very caught up with external appearances, and this one speaks of love that doesn't alter with externals:
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Shakespeare's Sonnet Number 116
Let me not to the marriage of true mindes
Admit impediments, love is not love
Which alters when it alteration findes,
Or bends with the remover to remove.
O no, it is an ever fixed marke
That lookes on tempests and is never shaken;
It is the star to every wandring barke,
Whose worths unknowne, although his higth be taken.
Lov's not Times foole, though rosie lips and cheeks
Within his bending sickles compasse come,
Love alters not with his breefe houres and weekes,
But beares it out even to the edge of doome:
If this be error and upon me proved,
I never writ, nor no man ever loved. |
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The other one of Shakespeare's sonnets I like is this one, because much of my work involves "reality suspension" and I love Shakespeare's play on words.
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Shakespeare's Sonnet Number 138
When my love sweares that she is made of truth,
I do beleeve her though I know she lyes,
That she might thinke me some untutured youth,
Unlearned in the worlds false subtilties.
Thus vainly thinking that she thinkes me young,
Although she knowes my dayes are past the best,
Simply I credit her false speaking tongue,
On both sides thus is simple truth supprest;
But wherefore sayes she not she is unjust?
And wherefore say not I that I am old?
O loves best habit is in seeming trust,
And age in love, loves not to have yeares told.
Therefore I lye with her, and she with me,
And in our faults by lyes we flattered be. |
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Some men that I see have been or are going through, what I would describe as a mid-life phase. I came upon this lovely little poem about growing older via one of my clients. I like the bit where it says "I smiled that it was grey".
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William Wordsworth - The Small Celandine
There is a flower, the Lesser Celandine,
That shrinks, like many more, from cold and rain;
And, the first moment that the sun may shine,
Bright as the sun himself, 'tis out again!
When hailstones have been falling swarm on swarm,
Or blasts the green field and the trees distrest,
Oft have I seen it muffled up from harm,
In close self-shelter, like a Thing at rest.
But lately, one rough day, this Flower I passed,
And recognised it, though an altered Form,
Now standing forth an offering to the Blast,
And buffetted at will by Rain and Storm.
I stopped, and said with inly muttered voice,
'It doth not love the shower, nor seek the cold;
This neither is its courage nor its choice,
But its necessity in being old.
'The sunshine may not bless it, nor the dew;
It cannot help itself in its decay;
Stiff in its members, withered, changed of hue.
And, in my spleen, I smiled that it was grey.
To be a Prodigal's Favourite - then, worse truth,
A Miser's Pensioner - behold our lot!
O Man! that from thy fair and shining youth
Age might but take the things Youth needed not!
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This next poem means a lot to me because it helped a client greatly at one stage, who was growing old and hating every minute of it.
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Dylan Thomas - Do not go gentle into that good night
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men, who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray,
Do not go gentle into that good night.
Rage, rage against the dying of the light.
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I see much of Ariana in this next poem. Ariana is only one facet of my life, but she enables me to explore aspects of myself.
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Ron Carnell - She Wears It Like A Mask
She wears it like a mask
Each time she comes to me,
A shroud to cloud my eyes,
A veil I cannot see.
But her mask is just a ruse,
An aspect of her game,
It hides the girl behind
The fiction of her name.
That name is but a symbol
Of the role she plays for me,
A promise unfulfilled,
A hope of what could be.
Removing all between us,
Clothed only in her name,
Her touch is my illusion,
Setting heart and loin aflame.
A mirage within a dream,
A ghost of fragile youth,
She is fantasy. And fire.
And beauty born of truth.
Her name is but a name,
A symbol, just a mask -
Concealing what I see,
Revealing what I ask.
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Someone sent this poem to me anonymously and it has become a firm favourite - it reminds me of the moments of synchronicity in my life; how the paths we take make a difference e.g. bringing us into contact with people we might otherwise never have met. Since I took this path, I've been acutely aware of a sense of synchro-destiny. It's hard to explain, but this poem reflects something of this feeling.
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Robert Frost - The Road Not Taken
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that, the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I –
I took the one less traveled by,
And that has made all the difference. |
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